In 1986, Laputa: Castle in the Sky would be the first feature to appear under the Studio Ghibli banner, and its gentle, faintly melancholic tone would become a familiar trademark of much of the studio's later output. This big break led to Hisaishi's overwhelming success as a composer of film scores. In 1985, he founded his own recording studio, Wonder Station. Their collaboration has invited comparisons to the collaborations of Steven Spielberg and John Williams. Hisaishi and the director of the animated film, Hayao Miyazaki, became great friends and would work together on many future projects. Then, in 1983, Hisaishi was recommended by Tokuma, who had published Information, to create an image album for Nausicaä of the Valley of the Wind. In 1981 Hisaishi, with his new name, released his first album of art music, MKWAJU, and in 1982 the electropop-minimalist album Information. ("Quincy", pronounced "Kuinshī” in Japanese, can be written using the same kanji in "Hisaishi" "Joe" comes from "Jones".) 1981–98: Anime film industry Retranscribed in Japanese, "Quincy Jones" became "Joe Hisaishi". His first major anime scores were Hajime Ningen Gyatoruz (1974) and Robokko Beeton (1976).Īs his works were becoming well known, Hisaishi formulated an alias inspired by Quincy Jones, an American musician and producer. His first album, MKWAJU, was released in 1981, with Information being released a year later.
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Also, from 1978, he had worked for Brass Compositions for a long time. Around 1975, Hisaishi presented his first public performance, spreading his name around his community. He developed his music from minimalist ideas and expanded toward orchestral work. In the 1970s, Japanese popular music, electronic music, and new-age music flourished those genres, as well as the Yellow Magic Orchestra (a Japanese electronic band in 1978–1983), influenced Hisaishi's compositions.
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During this period, he composed for Sasuga no Sarutobi (Academy of Ninja) and Futari Daka (A Full Throttle). This and other early works were created under his given name.
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He enjoyed his first success of the business in 1974 when he composed music for the anime series called Gyatoruzu. Hisaishi collaborated with minimalist artists as a typesetter, furthering his experience in the musical world. Realizing his love, he attended the Kunitachi College of Music in 1969 to major in music composition. At the same age, he also began watching 300 movies a year with his father, which influenced his career. When he started learning violin in the Violin School Suzuki Shinichi at the age of four, he found his passion in music.
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Hisaishi was born in Nakano, Nagano, Japan, as Mamoru Fujisawa ( 藤澤 守, Fujisawa Mamoru). He was a student of anime composer Takeo Watanabe. He is also recognized for the soundtracks he has provided for filmmaker 'Beat' Takeshi Kitano, including A Scene at the Sea (1991), Sonatine (1993), Kids Return (1996), Hana-bi (1997), Kikujiro (1999), Brother and Dolls (2002), as well as for the video game series Ni no Kuni. He has been associated with animator Hayao Miyazaki since 1984, having composed scores for all but one of his films. Lesser known are the other musical roles he plays he is also a typesetter, author, arranger, and conductor. While possessing a stylistically distinct sound, Hisaishi's music has been known to explore and incorporate different genres, including minimalist, experimental electronic, European classical, and Japanese classical.
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Hisaishi is also known for his piano scores. Mamoru Fujisawa ( 藤澤 守, Fujisawa Mamoru, born December 6, 1950), known professionally as Joe Hisaishi ( 久石 譲, Hisaishi Jō), is a Japanese composer and musical director known for over 100 film scores and solo albums dating back to 1981.